SmartView also includes integrated tally that is fully compatible with many switchers or automation systems.ĭelivery estimate, 3-5 days – Subject to change please call to check latest info.
#Smartscope duo software#
SmartView includes ethernet so you can connect them to your network and centrally control all your monitors from a single computer using the SmartView software utility.
The fully digital design with high quality SDI inputs ensures precise color that’s easy to manage across multiple displays. SmartView monitors are ideal for high end broadcast monitoring because they feature high quality filtering and scaling, so you retain fine detail in the image. Each Duo 4K display is independent so you can monitor any combination of scope or picture view! SmartScope Duo 4K adds independent waveform monitoring and you can select between waveform, vectorscope, RGB parade, YUV parade, histogram and audio phase with audio level displays. Cada monitor é independente e pode exibir qualquer combinação de escopo ou visualização. There are 2 exciting SmartView models to choose from! SmartView Duo features two independent 8″ displays in a 3 RU design that’s less than one inch deep. O SmartScope Duo 4K é semelhante ao SmartView Duo, mas adiciona monitoramento em forma de onda independente, assim você pode selecionar entre forma de onda, vetorscópio, padrões RGB, padrões YUV, histograma e displays de nível de fase de áudio. You can mix and match different SmartView models in a rack for a customized monitoring solution where you can view your images and choice of scope displays side by side! You can use them for broadcast, post production, on set monitoring, flyaway kits, broadcast trucks and more! When you’re working with live production switchers you can build a video wall of camera monitors in your control room and see all your sources. SmartView monitors are the perfect choice to add SDI monitoring anywhere you need it. So could someone who has a SmartScope Duo 4K with the latest firmware/software please chime in with whether or not there is a fleshtone line in the vectorscope please? I won't buy this if it still doesn't have it, especially since every other scopes has it, including BMD's own software scopes in Resolve.SmartScope Duo 4K – Dual 8″ 3 RU SDI/HD-SDI/3G-SDI/6G-SDI monitoring with built in scopes for technical waveform monitoring.
#Smartscope duo skin#
The fleshtone line is therefore applicable to all skin pigmentations and is the best way to ensure the skin tones of your talent look natural." This is known as the "fleshtone line" and is based on the color of blood beneath the skin's surface. you will want to keep your warm color saturation along a line at approximately 10 o'clock on the vectorscope.
#Smartscope duo manual#
What I'm asking is if someone could confirm 100% that the fleshtone line has been added via a software/firmware update, as in via first-hand use, not just what the manual says.Īlso, the manual doesn't explicitly say there is a fleshtone line in the SmartScope's vectorscope or that it can be turned on/off. The manual has said that since the beginning, when the fleshtone line was not there. Marc, I asked for 100% confirmation and you're just regurgitating what was already said in the thread.
The top quarter of this line, which runs from about the eleven o’clock position to about the five o’clock position, is widely accepted as the line where skin tones should fall. This makes sense because skin tones are slightly reddish, slightly yellowish and the -I line (sometimes called the “flesh tone line”) is between the red and yellow targets on the vectorscope. Tektronix has an interesting tech paper titled "A Guide to Using Waveform Monitors as Artistic Tools in Color Grading," and it goes into this in detail:ĭespite racial color differences in skin tones, the trace of a skin tone will end up very close to the -I line on an SDI/Composite vectorscope graticule (within 10 or 20 degrees). As far as I know, it's only coincidental that it's pretty close to caucasian skintone. My joke is, "if this $995 product could only do everything the $30,000 Tektronix scope could do, I'd be satisfied."īTW, whenever I used to refer to this as the "skintone line," our staff engineers would slap me in the back of the head and remind me it was actually the I Bar line (as in I&Q) in SMPTE color bars. So far, Blackmagic has resisted this suggestion. I'd buy one in a second if they would just add a 5X magnify mode to the Vectorscope.
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